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Devil's Dance by 13 O' Clock Blues Band

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13 O’CLOCK BLUES BAND combines the feeling of the deep blues with the improvisation of jazz, the energy of rock, and the compositional structure of classical music. The band is also unique in their use of Harmonic Series tuning, employing systems with up to 64-notes per octave on refretted and fretless instruments, and further tuning these to fundamentals based on Sacred


Frequencies. The All-Star band consists of composer/guitarist Jon Catler (La Monte Young), vocalist/keyboardist Babe Borden (Willie McBlind), bassist Timo Shanko (G Love) and drummer Skip Fischer (James Montgomery). The band’s debut CD, Devil’s Dance, is released this summer! “Powerful rock and blues, plus Jefferson Airplane-like psychedelia, meld with an intelligent, complex musical sensibility. Highlighted by singer-guitarist Jon Catler’s fealty to Harmonic Series tuning (he’s a master at fusing pitch and rhythm) and Babe Borden’s acrobatic, venturous singing…….stunning……."

Devil’s Dance CD which was recorded in 528Hz Harmonic Tuning. 

The Western World music industry’s A=440Hz “standard tuning” was imposed by militarists allied with the Rockefeller Foundation during the 1930s. They engaged in “acoustic weaponry” research and development, and influenced the British Standards Institute’s rejection of the more commonly and traditionally used A=444Hz “concert pitch,” and adoption of the generally more distressing A=44OHz frequency. A=440Hz “standard tuning” (also now called “concert pitch”) imposes the “Devil’s Tone” widely known throughout musicology to be F# in the D-major chord. This frequency of sound energy is MOST DISTRESSING. It is purposely used artistically and militarily to frighten and distress “target” audiences.

Curiously, the F# Devil’s Tone is set at 741Hz frequency in A=440Hz standard tuning. Research is currently underway by this author and his colleagues to determine the relationships among the six (6) ancient Solfeggio frequencies that include: 396, 417, 528, 639, 741 and 852 Hertz pure tones, along with their biological and bioenergetic benefits vs. risks to society. These six unique frequencies comprise 2/3 of the “Perfect Circle of SoundTM” discovered and trademarked by this author subsequent to the revelations published in Healing Codes for the Biological Apocalypse in 1998 wherein the Solfeggio was revealed following centuries of imposed secrecy.

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